Clement Qiang Huanghttps://clemhuang.com/fr/Recent content on Clement Qiang HuangHugofrContacthttps://clemhuang.com/fr/contact/Mon, 01 Jan 0001 00:00:00 +0000https://clemhuang.com/fr/contact/<ul> <li>Courriel : <a href="mailto:yourname@yorku.ca">yourname@yorku.ca</a></li> <li>Département d&rsquo;histoire, Université York, Toronto</li> </ul>CVhttps://clemhuang.com/fr/cv/Mon, 01 Jan 0001 00:00:00 +0000https://clemhuang.com/fr/cv/<h2 id="informations-générales">Informations générales</h2> <p><div class="cv-fact"> <strong>Domaine</strong> <span>Histoire des sciences</span> </div> <div class="cv-fact"> <strong>Courriel</strong> <span><a href="mailto:clemh@yorku.ca">clemh@yorku.ca</a></span> </div> <div class="cv-fact"> <strong>Profil</strong> <span>Doctorant en histoire des sciences, spécialisé dans les rencontres franco-chinoises du XIXe siècle dans le domaine de l’histoire naturelle</span> </div> </p> <h2 id="formation">Formation</h2> <div class="cv-row"> <div class="cv-period">2025–présent</div> <div class="cv-main"><div class="cv-role">Doctorat en histoire</div><div class="cv-meta"><span class="cv-institution">Université York</span><span class="cv-location">Toronto</span></div><div class="cv-description">Directrice : Prof. Joan Judge. Projet de thèse : « The Naturalist Activities of French Missionaries in Sino-Tibetan Borderlands, 1844–1870 »</div></div> </div> <div class="cv-row"> <div class="cv-period">2024–2026</div> <div class="cv-main"><div class="cv-role">Master conjoint en études transculturelles, <em>summa cum laude</em></div><div class="cv-meta"><span class="cv-institution">Université de Kyoto et Université de Heidelberg</span><span class="cv-location">Kyoto et Heidelberg</span></div><div class="cv-description">Directeurs : Prof. Joachim Kurtz et Prof. Kjell David Ericson. Mémoire : « David’s Black-and-White Bear: Global Networks of Science and Religion via the MNHN’s First Giant Pandas, 1869 »</div></div> </div> <div class="cv-row"> <div class="cv-period">2016–2017</div> <div class="cv-main"><div class="cv-role">Master en muséologie, <em>summa cum laude</em></div><div class="cv-meta"><span class="cv-institution">University College London</span><span class="cv-location">Londres</span></div><div class="cv-description">Directeur : Prof. Jeremy Tanner. Mémoire : « Anachronism in Exhibitions: An Approach to Cultural Memories Inspired by Aby Warburg »</div></div> </div> <div class="cv-row"> <div class="cv-period">2012–2016</div> <div class="cv-main"><div class="cv-role">Licence en théorie et histoire de l’art</div><div class="cv-meta"><span class="cv-institution">Université de Pékin</span><span class="cv-location">Pékin</span></div><div class="cv-description">Mineure en économie. Mémoire : « Sacred Moments of the Senses: Ferdinand Hodler’s System of Bodily Symbols ». Échange à Sciences Po Paris (Certificat en sciences sociales et humanités), 2015–2016</div></div> </div> <h2 id="formations-complémentaires">Formations complémentaires</h2> <p><div class="cv-row"> <div class="cv-period">2025</div> <div class="cv-main"><div class="cv-role">Cours intensif d’allemand (B1.1)</div><div class="cv-meta"><span class="cv-institution">Université de Heidelberg</span><span class="cv-location">Heidelberg</span></div><div class="cv-description"></div></div> </div> <div class="cv-row"> <div class="cv-period">2023–2024</div> <div class="cv-main"><div class="cv-role">Cours intensif de japonais (niveau avancé)</div><div class="cv-meta"><span class="cv-institution">ISI Language School</span><span class="cv-location">Kyoto</span></div><div class="cv-description">Prix d’excellence au concours d’éloquence.</div></div> </div> <div class="cv-row"> <div class="cv-period">2013–2015</div> <div class="cv-main"><div class="cv-role">Cours de français (B1–C1)</div><div class="cv-meta"><span class="cv-institution">Alliance Française</span><span class="cv-location">Pékin</span></div><div class="cv-description"></div></div> </div> <div class="cv-row"> <div class="cv-period">2015</div> <div class="cv-main"><div class="cv-role">Programme d’été en histoire de l’art occidental</div><div class="cv-meta"><span class="cv-institution">Université de York et Université d’Édimbourg</span><span class="cv-location">York et Édimbourg</span></div><div class="cv-description"></div></div> </div> </p>Recherchehttps://clemhuang.com/fr/research/Mon, 01 Jan 0001 00:00:00 +0000https://clemhuang.com/fr/research/<h2 id="redéfinir-la-chinoiserie--rencontres-franco-chinoises-autour-des-savoirs-naturalistes-18301870">Redéfinir la chinoiserie : rencontres franco-chinoises autour des savoirs naturalistes, 1830–1870</h2> <div class="row-grid"> <p>Ces dernières années, l&rsquo;histoire des sciences et l&rsquo;histoire globale ont porté un intérêt croissant aux interactions entre les discours orientalistes et la circulation, la traduction et l&rsquo;adaptation des savoirs non européens. De la monarchie de Juillet à la fin du Second Empire, la France connaît un regain d&rsquo;intérêt pour l&rsquo;exotisme et la chinoiserie. Cette vogue ne se limite pas à l&rsquo;engouement populaire et élitaire pour les arts et cultures d&rsquo;Asie : elle s&rsquo;accompagne d&rsquo;un engagement soutenu envers la langue chinoise, l&rsquo;histoire naturelle, l&rsquo;agriculture et les techniques artisanales. La signature du traité de Whampoa en 1844 institutionnalise et facilite davantage ces échanges franco-chinois. Mon étude examine ces flux de savoirs bidirectionnels, asymétriques et imbriqués dans l&rsquo;expansion missionnaire et le système des ports ouverts.</p>Travauxhttps://clemhuang.com/fr/works/Mon, 01 Jan 0001 00:00:00 +0000https://clemhuang.com/fr/works/<h2 id="communications">Communications</h2> <div class="row-grid"> <div class="cv-row"> <div class="cv-period">2026</div> <div class="cv-main"><div class="cv-role">« Names of the Trillium: Reconsidering Knowledge Transmissions in Mount Hakodate’s Botanical Explorations of the Late 19th Century »</div><div class="cv-meta"><span class="cv-institution">Congrès conjoint ESHS/HSS</span><span class="cv-location">Édimbourg</span></div><div class="cv-description"></div></div> </div> <div class="cv-row"> <div class="cv-period">2026</div> <div class="cv-main"><div class="cv-role">« David’s Black-and-White Bear: Global Networks of Sciences and Religions via the MNHN’s First Giant Pandas, 1869 »</div><div class="cv-meta"><span class="cv-institution">50e congrès annuel de la Société d’histoire coloniale française</span><span class="cv-location">Maynooth</span></div><div class="cv-description"></div></div> </div> <div class="cv-row"> <div class="cv-period">2026</div> <div class="cv-main"><div class="cv-role">« Chinese Species in the Jardin d’Acclimatation: Dabry de Thiersant’s Natural History Network and Local Faunal Knowledges, 1862–1868 »</div><div class="cv-meta"><span class="cv-institution">Society for the History of Natural History, symposium des jeunes chercheurs</span></div><div class="cv-description">enregistrement disponible sur <a href="https://www.youtube.com/watch?v=i05yP6wg4sI">YouTube</a></div></div> </div> <figure class="book-fig"><a href="https://www.youtube.com/watch?v=i05yP6wg4sI" target="_blank" rel="noopener"><img src="https://img.youtube.com/vi/i05yP6wg4sI/mqdefault.jpg" alt="Enregistrement de la communication SHNH" loading="lazy"></a> </figure> <div class="cv-row"> <div class="cv-period">2026</div> <div class="cv-main"><div class="cv-role">« Creatures of Despotism: Chinese Animals in the Jardin Zoologique d’Acclimatation and the French Consulate in Hankou, 1862–1872 »</div><div class="cv-meta"><span class="cv-institution">Tri-University Graduate History Conference</span><span class="cv-location">Université de Waterloo</span></div><div class="cv-description"></div></div> </div> <div class="cv-row"> <div class="cv-period">2025</div> <div class="cv-main"><div class="cv-role">« Names of the Trillium: Reconsidering Knowledge Transmissions in Mount Hakodate’s Botanical Explorations of the Late 19th Century »</div><div class="cv-meta"><span class="cv-institution">Atelier Kyoto–Heidelberg–Strasbourg</span></div><div class="cv-description"></div></div> </div> <div class="cv-row"> <div class="cv-period">2025</div> <div class="cv-main"><div class="cv-role">Participant</div><div class="cv-meta"><span class="cv-institution">Canadian History and Environment Summer Symposium (CHESS)</span><span class="cv-location">Université McMaster</span></div><div class="cv-description"></div></div> </div> </div> <h2 id="publications-et-traductions">Publications et traductions</h2> <div class="row-grid"> <div class="cv-row"> <div class="cv-period">2024</div> <div class="cv-main"><div class="cv-role"><a href="https://www.ilixiangguo.com/book/book/view/id/1917"><em>Lunbolang de yanjing</em> (Rembrandt’s Eyes)</a></div><div class="cv-meta"><span class="cv-institution">Shanghai Sanlian shudian</span><span class="cv-location">Shanghai</span></div><div class="cv-description">de Simon Schama ; traduit en chinois par Clement Huang</div></div> </div> <figure class="book-fig"><a href="https://www.ilixiangguo.com/book/book/view/id/1917" target="_blank" rel="noopener"><img src="https://clemhuang.com/images/rembrandt-cover.jpg" alt="Rembrandt’s Eyes, édition chinoise, couverture" loading="lazy"></a> </figure> <div class="cv-row"> <div class="cv-period">2023</div> <div class="cv-main"><div class="cv-role"><a href="https://centaur.reading.ac.uk/114780/"><em>Chris Zhongtian Yuan: No Door, One Window, Only Light; Home Is Where the Music Is</em></a></div><div class="cv-meta"><span class="cv-institution">OnCurating</span><span class="cv-location">Zurich</span></div><div class="cv-description">codirigé avec Susanne Clausen et Chris Zhongtian Yuan</div></div> </div> <div class="cv-row"> <div class="cv-period">2020</div> <div class="cv-main"><div class="cv-role">« Sounding Out the Idols: W. J. T. Mitchell’s Love of Pictures »</div><div class="cv-meta"><span class="cv-institution">IAAC Exhibition Reviews Annual, Shanghai Shuhua chubanshe</span><span class="cv-location">Shanghai</span></div><div class="cv-description">essai ; traduction anglaise de Bridget Noetzel, p. 79–82</div></div> </div> </div>