<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:content="http://purl.org/rss/1.0/modules/content/"><channel><title>黄强 on Clement Qiang Huang</title><link>https://clemhuang.com/zh/</link><description>Recent content in 黄强 on Clement Qiang Huang</description><generator>Hugo</generator><language>zh-Hans</language><atom:link href="https://clemhuang.com/zh/index.xml" rel="self" type="application/rss+xml"/><item><title>发表</title><link>https://clemhuang.com/zh/works/</link><pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate><guid>https://clemhuang.com/zh/works/</guid><description>&lt;h2 id="会议报告">会议报告&lt;/h2>
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&lt;div class="cv-period">2026&lt;/div>
&lt;div class="cv-main">&lt;div class="cv-role">“Names of the Trillium: Reconsidering Knowledge Transmissions in Mount Hakodate’s Botanical Explorations of the Late 19th Century”&lt;/div>&lt;div class="cv-meta">&lt;span class="cv-institution">ESHS/HSS 联合年会&lt;/span>&lt;span class="cv-location">爱丁堡&lt;/span>&lt;/div>&lt;div class="cv-description">&lt;/div>&lt;/div>
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&lt;div class="cv-period">2026&lt;/div>
&lt;div class="cv-main">&lt;div class="cv-role">“David’s Black-and-White Bear: Global Networks of Sciences and Religions via the MNHN’s First Giant Pandas, 1869”&lt;/div>&lt;div class="cv-meta">&lt;span class="cv-institution">法国殖民史学会第五十届年会&lt;/span>&lt;span class="cv-location">梅努斯&lt;/span>&lt;/div>&lt;div class="cv-description">&lt;/div>&lt;/div>
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&lt;div class="cv-period">2026&lt;/div>
&lt;div class="cv-main">&lt;div class="cv-role">“Chinese Species in the Jardin d’Acclimatation: Dabry de Thiersant’s Natural History Network and Local Faunal Knowledges, 1862–1868”&lt;/div>&lt;div class="cv-meta">&lt;span class="cv-institution">博物学史学会（SHNH）青年学者研讨会&lt;/span>&lt;/div>&lt;div class="cv-description">报告录像见 &lt;a href="https://www.youtube.com/watch?v=i05yP6wg4sI">YouTube&lt;/a>&lt;/div>&lt;/div>
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&lt;figure class="book-fig">&lt;a href="https://www.youtube.com/watch?v=i05yP6wg4sI" target="_blank" rel="noopener">&lt;img src="https://img.youtube.com/vi/i05yP6wg4sI/mqdefault.jpg" alt="SHNH 报告录像" loading="lazy">&lt;/a>
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&lt;div class="cv-period">2026&lt;/div>
&lt;div class="cv-main">&lt;div class="cv-role">“Creatures of Despotism: Chinese Animals in the Jardin Zoologique d’Acclimatation and the French Consulate in Hankou, 1862–1872”&lt;/div>&lt;div class="cv-meta">&lt;span class="cv-institution">三校研究生历史学术会议&lt;/span>&lt;span class="cv-location">滑铁卢大学&lt;/span>&lt;/div>&lt;div class="cv-description">&lt;/div>&lt;/div>
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&lt;div class="cv-period">2025&lt;/div>
&lt;div class="cv-main">&lt;div class="cv-role">“Names of the Trillium: Reconsidering Knowledge Transmissions in Mount Hakodate’s Botanical Explorations of the Late 19th Century”&lt;/div>&lt;div class="cv-meta">&lt;span class="cv-institution">京都—海德堡—斯特拉斯堡工作坊&lt;/span>&lt;/div>&lt;div class="cv-description">&lt;/div>&lt;/div>
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&lt;div class="cv-period">2025&lt;/div>
&lt;div class="cv-main">&lt;div class="cv-role">参与者&lt;/div>&lt;div class="cv-meta">&lt;span class="cv-institution">加拿大历史与环境暑期研讨会（CHESS）&lt;/span>&lt;span class="cv-location">麦克马斯特大学&lt;/span>&lt;/div>&lt;div class="cv-description">&lt;/div>&lt;/div>
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&lt;h2 id="出版与翻译">出版与翻译&lt;/h2>
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&lt;div class="cv-period">2024&lt;/div>
&lt;div class="cv-main">&lt;div class="cv-role">&lt;a href="https://www.ilixiangguo.com/book/book/view/id/1917">《伦勃朗的眼睛》（Rembrandt’s Eyes）&lt;/a>&lt;/div>&lt;div class="cv-meta">&lt;span class="cv-institution">上海三联书店&lt;/span>&lt;span class="cv-location">上海&lt;/span>&lt;/div>&lt;div class="cv-description">西蒙·沙玛（Simon Schama）著，黄格勉 译&lt;/div>&lt;/div>
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&lt;figure class="book-fig">&lt;a href="https://www.ilixiangguo.com/book/book/view/id/1917" target="_blank" rel="noopener">&lt;img src="https://clemhuang.com/images/rembrandt-cover.jpg" alt="《伦勃朗的眼睛》书封" loading="lazy">&lt;/a>
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&lt;div class="cv-period">2023&lt;/div>
&lt;div class="cv-main">&lt;div class="cv-role">&lt;a href="https://centaur.reading.ac.uk/114780/">《Chris Zhongtian Yuan: No Door, One Window, Only Light; Home Is Where the Music Is》&lt;/a>&lt;/div>&lt;div class="cv-meta">&lt;span class="cv-institution">OnCurating&lt;/span>&lt;span class="cv-location">苏黎世&lt;/span>&lt;/div>&lt;div class="cv-description">与 Susanne Clausen、袁中天合编&lt;/div>&lt;/div>
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&lt;figure class="book-fig">&lt;a href="https://centaur.reading.ac.uk/114780/" target="_blank" rel="noopener">&lt;img src="https://clemhuang.com/images/yuan-cover.jpg" alt="《No Door, One Window, Only Light》书封" loading="lazy">&lt;/a>
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&lt;div class="cv-period">2020&lt;/div>
&lt;div class="cv-main">&lt;div class="cv-role">“Sounding Out the Idols: W. J. T. Mitchell’s Love of Pictures”&lt;/div>&lt;div class="cv-meta">&lt;span class="cv-institution">国际艺术评论奖（IAAC）年度展评集，上海书画出版社&lt;/span>&lt;span class="cv-location">上海&lt;/span>&lt;/div>&lt;div class="cv-description">书评；Bridget Noetzel 英译，第 79–82 页&lt;/div>&lt;/div>
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&lt;/div></description></item><item><title>简历</title><link>https://clemhuang.com/zh/cv/</link><pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate><guid>https://clemhuang.com/zh/cv/</guid><description>&lt;h2 id="基本信息">基本信息&lt;/h2>
&lt;p>&lt;div class="cv-fact">
&lt;strong>领域&lt;/strong>
&lt;span>科学史&lt;/span>
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&lt;strong>邮箱&lt;/strong>
&lt;span>&lt;a href="mailto:clemh@yorku.ca">clemh@yorku.ca&lt;/a>&lt;/span>
&lt;/div>
&lt;div class="cv-fact">
&lt;strong>简介&lt;/strong>
&lt;span>科学史博士生，研究十九世纪中法在博物学领域的交流与相遇&lt;/span>
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&lt;h2 id="教育经历">教育经历&lt;/h2>
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&lt;div class="cv-period">2025–至今&lt;/div>
&lt;div class="cv-main">&lt;div class="cv-role">历史学博士&lt;/div>&lt;div class="cv-meta">&lt;span class="cv-institution">约克大学&lt;/span>&lt;span class="cv-location">多伦多&lt;/span>&lt;/div>&lt;div class="cv-description">导师：Joan Judge 教授。博士论文项目：“The Naturalist Activities of French Missionaries in Sino-Tibetan Borderlands, 1844–1870”&lt;/div>&lt;/div>
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&lt;div class="cv-period">2024–2026&lt;/div>
&lt;div class="cv-main">&lt;div class="cv-role">跨文化研究联合硕士，&lt;em>summa cum laude&lt;/em>&lt;/div>&lt;div class="cv-meta">&lt;span class="cv-institution">京都大学、海德堡大学&lt;/span>&lt;span class="cv-location">京都、海德堡&lt;/span>&lt;/div>&lt;div class="cv-description">导师：Joachim Kurtz 教授、Kjell David Ericson 教授。硕士论文：“David’s Black-and-White Bear: Global Networks of Science and Religion via the MNHN’s First Giant Pandas, 1869”&lt;/div>&lt;/div>
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&lt;div class="cv-period">2016–2017&lt;/div>
&lt;div class="cv-main">&lt;div class="cv-role">博物馆学硕士，&lt;em>summa cum laude&lt;/em>&lt;/div>&lt;div class="cv-meta">&lt;span class="cv-institution">伦敦大学学院&lt;/span>&lt;span class="cv-location">伦敦&lt;/span>&lt;/div>&lt;div class="cv-description">导师：Jeremy Tanner 教授。硕士论文：“Anachronism in Exhibitions: An Approach to Cultural Memories Inspired by Aby Warburg”&lt;/div>&lt;/div>
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&lt;div class="cv-row">
&lt;div class="cv-period">2012–2016&lt;/div>
&lt;div class="cv-main">&lt;div class="cv-role">艺术史论学士&lt;/div>&lt;div class="cv-meta">&lt;span class="cv-institution">北京大学&lt;/span>&lt;span class="cv-location">北京&lt;/span>&lt;/div>&lt;div class="cv-description">辅修经济学。学士论文：“Sacred Moments of the Senses: Ferdinand Hodler’s System of Bodily Symbols”。2015–2016 年于巴黎政治学院交换（社会科学与人文证书课程）&lt;/div>&lt;/div>
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&lt;h2 id="其他教育">其他教育&lt;/h2>
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&lt;div class="cv-period">2025&lt;/div>
&lt;div class="cv-main">&lt;div class="cv-role">德语强化课程（B1.1）&lt;/div>&lt;div class="cv-meta">&lt;span class="cv-institution">海德堡大学&lt;/span>&lt;span class="cv-location">海德堡&lt;/span>&lt;/div>&lt;div class="cv-description">&lt;/div>&lt;/div>
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&lt;div class="cv-row">
&lt;div class="cv-period">2023–2024&lt;/div>
&lt;div class="cv-main">&lt;div class="cv-role">日语强化课程（高级班）&lt;/div>&lt;div class="cv-meta">&lt;span class="cv-institution">ISI 京都语言学校&lt;/span>&lt;span class="cv-location">京都&lt;/span>&lt;/div>&lt;div class="cv-description">演讲比赛优秀奖&lt;/div>&lt;/div>
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&lt;div class="cv-period">2013–2015&lt;/div>
&lt;div class="cv-main">&lt;div class="cv-role">法语课程（B1–C1）&lt;/div>&lt;div class="cv-meta">&lt;span class="cv-institution">法语联盟&lt;/span>&lt;span class="cv-location">北京&lt;/span>&lt;/div>&lt;div class="cv-description">&lt;/div>&lt;/div>
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&lt;div class="cv-row">
&lt;div class="cv-period">2015&lt;/div>
&lt;div class="cv-main">&lt;div class="cv-role">西方艺术史暑期项目&lt;/div>&lt;div class="cv-meta">&lt;span class="cv-institution">约克大学、爱丁堡大学&lt;/span>&lt;span class="cv-location">约克、爱丁堡&lt;/span>&lt;/div>&lt;div class="cv-description">&lt;/div>&lt;/div>
&lt;/div>
&lt;/p></description></item><item><title>联系</title><link>https://clemhuang.com/zh/contact/</link><pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate><guid>https://clemhuang.com/zh/contact/</guid><description>&lt;ul>
&lt;li>邮箱：yourname@yorku.ca&lt;/li>
&lt;li>约克大学历史系，多伦多&lt;/li>
&lt;/ul></description></item><item><title>研究</title><link>https://clemhuang.com/zh/research/</link><pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate><guid>https://clemhuang.com/zh/research/</guid><description>&lt;h2 id="重新定义中国风中法自然知识的相遇18301870">重新定义“中国风”：中法自然知识的相遇，1830–1870&lt;/h2>
&lt;div class="row-grid">
&lt;p>近年来，科学史与全球史学界日益关注东方主义话语与非欧洲知识的流通、翻译及改造之间的相互作用。从七月王朝到第二帝国末期，法国出现了对异域情调与“中国风”（chinoiserie）的新一轮热情。这一潮流不仅体现为大众与精英阶层对亚洲艺术和文化的喜爱，也包含对汉语、自然史、农业与工艺技术的持续投入。1844 年《黄埔条约》的签订，进一步将这些中法交流制度化并为之提供便利。我的研究考察这些双向而不对称、且与传教扩张和条约口岸体制交织在一起的知识流动。&lt;/p></description></item></channel></rss>